This year is the 100th anniversary of the establishment of the Communist Party of Yugoslavia (CPY). The CPY was the only relevant political factor in the fight against occupation and fascism because of its particular internal organisation, connections with local problems, experience in military and political organising during the Spanish Civil War, and practice of emancipatory social and political relations.
In the late eighties, half a million people took part in labour strikes in reaction to the economic crisis. The trade unions, although being the most significant workers’ organizations, failed to appropriate this battle. Instead, it was claimed by the nationalist political parties on the rise.
The workers from Turkish factory Kaizen who were dismissed last Saturday had signed mutual termination agreements under management’s pressure and threats of legal prosecution.
Around three hundred workers employed in Turkish factory Kaizen in Smederevo started a strike yesterday demanding to receive promised reimbursments for overtime labour.
Rory Archer: Leftists should not shy away from assessing the defective aspects of the socialist Yugoslav project
Rory Archer is a historian who researches social history of the Balkans in the 20th century and currently works at the School of Slavonic and East European Studies at the University College London. Archer explores the ways in which “ordinary” Yugoslavs interpreted economic, political and cultural tensions in late socialism and reacted to them. Since 2014 he has worked with Goran Musić on a research project titled Between Class and Nation: Working class communities in the eighties in Serbia and Montenegro. In 2015 he completed his PhD in Graz with a dissertation on the (in)affordability of housing among the working class in Belgrade, and in 2016 co-authored the book Social Inequalities and Disaffection in Yugoslavian Socialism.
Marc Ribot’s excellence as a versatile guitarist, an improviser and a composer is well known among fans and music lovers. What has received less attention is his activism for labor rights of musicians, his view on and experience with labor organizing. After his exciting concert with The Young Philadelphians at the 33rd Belgrade Jazz Festival, Mašina had the opportunity to discuss with him a subject – he says – he gladly talks about: politics.